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a lot of sick remixes (including the ting tings, the toxic avenger, kid sister, justice ft. uffie, etc) gathered into one dirty, 45 minute mp3. get your next party started right.
LA riots on myspace.
download the remixes vol. 1:
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- panda
Artist: Kanye West
Album: 808s and Heartbreak
Record Label: Roc-a-Fella/Def-Jam
Release Date: November 24, 2008
If anyone in hip-hop was going to put out 808s and Heartbreak, it’s Kanye West. West has been known to meddle with hip-hop, manipulating sounds and styles that are out of the ordinary and giving it that mainstream appeal. He intertwined orchestral arrangements with hip-hop on Late Registration, soul samples on The College Dropout and electro and pop on Graduation. So when he premiered “Love Lockdown” at the MTV VMAs this year, everyone knew he was cooking up something different with 808s and Heartbreak.
It’s no secret that Kanye West’s lyrical ability has seemed to dwindle over the years, but is easily overlooked due to his immeasurable production talent and the fact that he knows how to put songs together. Using only the TR-808 drum machine, West has created some of his most ambitious songs to date, abandoning the standard hip-hop beat and rapping for singing and tribal drums, which might be his biggest antithesis’ to hip-hop yet.
On 808s and Heartbreak, Kanye West relies heavily on the auto-tune effect. This may easily push listeners away, as the T-Pains and Lil’ Waynes of the world have already saturated the mainstream with the effect. However, Kanye West hopes to achieve something completely different. He created a voice deemed “Heartbreak,” something West refers to as a “mixed drink with auto tune, distortion and a little bit of delay on it.” He uses this voice as a tool, not a crutch, to express the tribulations he’s faced within the past year, including the death of his mother and the break-up with his fiancée, who is the subject of the overall bulk of 808s and Heartbreak.
“Say You Will,” the albums opener, starts off slow and haunting, with a beat slightly resembling that of a heartbeat. It’s slow pace is somewhat of an awkward start to the album and would be better if placed as a closer or even somewhere in the middle. Despite the placement, it’s one of the highlights of the album. Carrying on this very consistent theme, “Amazing” and “Streetlights” are also slow burners, which will definitely be a change of pace for the standard West fan.
There’s very little rapping on the album. However, it’s still prevalent in songs like “Heartless” and “Welcome to Heartbreak,” the latter of which features up-and-coming Cleveland rapper Kid Cudi. Together, the two sing a handful of melodies that will undoubtedly be stuck in your head for weeks. Other highlights include the Chromeo-esque “Paranoid,” and “See You in My Nightmares,” which features Lil Wayne, who sings what might be one of the best hooks he’s ever worked on.
There’s a few problems with 808s and Heartbreak. Lil Wayne’s verse, much like his verse on “Barry Bonds” on Graduation, falls flat, complete with boring metaphors and trite writing, despite how good the hook is. Young Jeezy is the only other guest rapper on 808s and Heartbreak, and his verse on “Amazing” is completely out of place and awkward, shuffling up the overall theme of the album.
Minor gripes aside, 808s and Heartbreak is a fantastic album, and Kanye West has yet again proved that he is an artist with many talents. This is unquestionably his most polarizing release, and he will alienate a large part of his fan base. However, West doesn’t seem to care, and this further proves that he is in it for the music. His production continues to test the limits of hip-hop, transcending genres and breaking from the mold of your typical producer. This may not be his best album, but it is by far the most consistent and thought-provoking album he’s released. If worst comes to worst and you don’t enjoy the album, sit tight. He’ll be back with a hip-hop release in the summer of 2009.
Artist: T-Pain
Album: Thr33 Ringz
Record Label: Jive Records/Nappy Boy Entertainment
Release Date: November 11, 2008
You either love him or hate him, but chances are, you’ve heard at least one of his songs in the past few years. T-Pain has been hip-hop and r&b’s go-to guy for hooks and cameos since he released Rappa Ternt Sanga in 2005, which along with 2007’s Epiphany, have been subpar and underwhelming releases in the genre, save a few chart-toppers.
500 hooks and an inflated ego later, T-Pain is on a high from his third studio release, Thr33 Ringz, which has been highly anticipated for some time. The circus-esque concept of the record comes from T-Pain, who deems himself the “ringleader” of the current rap game.
Although T-Pain is commonly known as the guy who made the vocoder cool again, he shows off his emcee skills in lead track “Welcome to Thr33 Ringz,” which abrasively leads into melody-heavy “Ringleader Man,” which puts the album off to an awkward start.
T-Pain never fails to deliver songs that will undoubtedly see huge success on the radio. Aside from his lead single, “Can’t Believe It,” Pain teams up with Ludacris on the Texas-inspired “Chopped and Screwed,” and Chris Brown on “Freeze,” both of which are set to be singles and club staples.
He also maintains a subtle sense of humor in many songs, like the Kanye West assisted “Therapy,” where the both of them speak on failing relationships and having their couches returned. “It Ain’t Me” shoos away the gold diggers, as T.I. and Akon lend their talents to the track.
As is the case with many hip-hop releases nowadays, there is a lot of filler on Thr33 Ringz. Aside from the obnoxious skits that everyone hates or skips, songs like “Blowing Up” and “Long Lap Dance” are throwaways, and the latter of which has sentiments already expressed in 2006 single “I’m In Luv Wit a Stripper.”
T-Pain even branches out and takes a shot at diversity while attempting a ballad with “Keep Going,” a song complete with acoustic guitars and piano. Aside from “Keep Going,” the second half of Thr33 Ringz falls completely flat. Songs like “Superstar Lady” and “Digital” are hardly impressive and instantly forgettable.
Overall, Thr33 Ringz is an entertaining release that bridges the gap between hip-hop and pop, and will surely be saturating your local radio station in no time. T-Pain is not necessarily as legendary as he claims to be. However, the man has an obvious gift and with his work ethic, he will remain relevant. None of this matters, though. In the time it took to complete this review, T-Pain just wrote the hooks to five more Billboard top 100 tracks.
Interview with Cory Murchy of Minus the Bear
November 3, 2008
Houston, TX
Roshan Bhatt, The Daily Cougar: For the record, what is your name and position in Minus the Bear?
Cory Murchy, Minus the Bear: For the record, my name is Cory Murchy. My position is fun, but I play the bass, and I like to draw things, ride my bike and just all around being killer.
RB: How did you guys end up playing Fun Fun Fun Fest? Is this your first time?
CM: This is our first time with the festival. The people that are doing the festival just asked us to do it and heard that we were fun. So we said, “Yeah you guys are fun,” and we just decided to be fun together. So…it should be fun.
RB: Whose sets do you plan on catching at FFF Fest?
CM: I am stoked to be seeing my homie Tim Barry. He’ll be playing with the Revival Tour [with ….], also excited to see Scared of Chaka, my other homies from New Mexico. My old roommate Dave is in the band, and that should be a hoot. Hijinks should surely ensue. I don’t think we’ll be in town to see the Dead Milkman, so yeah.
RB: Do you like playing festivals more than one-off’s or being on tour? What are the biggest differences?
CM: Well festivals are a little more chaotic, and you’re just playing for a small amount of time and there is a lot going on at the same time. Tours are a little more organized. Festivals are fun because they’re just so much bigger, and when you’re stoked about the bands, it makes it better.
RB: What are Minus the Bear’s biggest influences inside and outside of music?
CM: Well, love, peace and happiness. They’re pretty big influences. We like to keep things groovy, and other shenanigans. All that hippy stuff. We just listen to a bunch of different stuff, though. I listen to a lot of reggae, dub and Jamaican music, but we’re also lucky because we’ve met a lot of bands on the road and a lot of friends of ours are musicians, so it’s nice when your friends are making good music. Bands like The Helio Sequence and These Arms are Snakes, 27, and just bands we aren’t always able to bring on tour as well.
RB: The songs on Planet of Ice are noticeably longer than most of your older material and the sound has gotten more experimental musically. Are there any particular reasons for this?
CM: We’re all growing up and we’re all getting older, so logically we’d get more experimental. We’ve been playing for 7 to 8 years now, and so if we were just writing 3-chord pop songs, we’d have exhausted the band. So we’re always exploring and trying to push ourselves musically and artistically, because it’s something that we wanna do, and we like to please ourselves as well as our fans.
RB: How is the tour with Annuals going? Reception?
CM: Tour is great, folks are coming out and dancing. They seem to be having a good time, so you can’t complain.
RB: After the current tour, are there any more touring plans?
CM: We’re just gonna be taking some time off for the holidays and we’ll be writing on our time off. Well be in Australia in February for the Soundwave festival, and even Hawaii.
RB: Are there any plans for a new album? If so, what new directions do you guys plan on taking, if any?
CM: We’ll try to get into the studio sometime in the spring, we don’t have any real plans. We’ll just try to finish up some songs, but we don’t have any concrete plans for recording, yet. We’ll definitely be writing, which we’re very excited about.
RB: What is your most and least favorite thing about the Seattle music scene?
CM: It’s pretty great. It’s a lot of good musicians and people. There’s a lot of recess as far as people playing with different people in different bands. It’s good because no one is really playing the same kind of music, which has always been indicative of the Seattle scene. IT even back in the day when the grunge thing was going on, all those bands were different from each other. So that’s what I think is good about the Seattle scene. There’s a lot of music but everyone is doing their own thing. These Arms are Snakes and Minus the Bear have a lot in common but the music is totally different.
RB: What is your current playlist?
CM: I picked up this album by this artist called Rodriguez, courtesy of my friend Julie [inaudible] Butterfield. It’s a pre-release put out by Light in the Attic records and a lot of reggae and dub as usual.
RB: If you could open a show for any three acts, dead or alive, who would you open for??
CM: John Lennon, The Cure…and who else is awesome? Who would we be stoked to play for? Jawbreaker.
RB: That’s about it. Anything else you want to add?
CM: Not much besides, keep on keeping on. Thanks for all the support, and peace to all.
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